Art class - MS - Dover-34Art classroom, UWCSEA Dover, Singapore

What does learning look like in the modern classroom?

If you visit a classroom today, you may notice that learning is quite different from when you were at school. Students work in groups, collaborating on a document or slideshow on a laptop, or independently researching with the teacher circulating as a guide. Even in the last 10 years, teaching and learning have changed with the rapid advances in technology, and devices being common in the classroom. In UWCSEA, we are a 1:1 Macbook school and, in the 7 years I have worked here, laptop use, Google Apps (now GSuite) and the online learning platform Teamie have dramatically transformed the way we teach and how youngsters learn. In my art room, I may flip the learning and set a video task using Edpuzzle to draw out prior knowledge or to see what they can recall and apply. I use Google Slides and Padlet to share work as a portfolio of learning and to track progress, and Hyperdocs to set a range of content to support, satisfy, and stretch my developing artists. Across the school, learning is all around, as groups film or photograph, annotate a diagram on iPads, and it is visible on post its, anchor charts and posters, as role play or animation, online and on the walls. It is an exciting time to learn.

Learning from the past

But it didn’t always look like this. When I was at school we sat in rows, listened to the teacher, worked through sheets or books and produced set tasks for marking. There was no one to one conference about my prior knowledge and skills, this was assumed. There was no group work or collaboration, only individual work, theories, books, and it was content driven. My learning centred around the acquisition of knowledge and skills.

All learners want to be engaged, to understand the reason for the learning and to apply the knowledge. I recall being around 17 years old, enthralled on a geography field trip, immersed in the physical attributes of the rugged coast of southern England, up close and in context. Again, in an English Language class, with an inspiring young teacher who connected us to foreign penpals by writing letters to share how we live. In both these examples we, as learners, were moving from acquisition to participation, and, according to Anna Sfard’s article “On Two Metaphors for Learning”, we would retain this new learning better through practical application and active participation. (Sfard, 1998)

kolb-learning-cycle

David Kolb’s model of experiential learning is as relevant today, supporting students to apply their knowledge and understanding through hands-on, practical activities, reflecting on the process and experimenting. (Kolb’s Learning Cycle, 1984).

To learn we need to be actively engaged in the learning process whilst at the same time being aware of what and why we are doing it. This active learning, according to Charles Bonwell, of “doing things and thinking about what they are doing” is a fundamental part of learning, leading to greater student participation and retention. (Bonwell, 1991)

What is learning and what does this mean in the contemporary classroom?

Learning is the acquisition of skills and knowledge, engaging in the content and the ability to apply this to new contexts and tasks.

John Hattie states in the Science of Learning that “learning must be embedded in something worth knowing”. (Hattie, 2016) Students need to understand the relevance of the knowledge, skill or understanding so that they can make sense of it in relation to their own lives.

concept based learning TPACK

At UWCSEA we frame our teaching around Lynn Erickson’s concept-based learning and, as digital literacy coaches, we are using TPACK (Technological Pedagogical Content Knowledge) to focus our conversations with teachers on how technology can make a difference in conceptual learning. (Erickson, 2014) Focusing on transferable concepts and the relationships between these concepts allows richer learning experiences to develop. In today’s classroom, integrating technology as a tool to enhance learning, not as a substitution, transforms the learning in a way not possible before. (Puentedura SAMR, 2009)

How has it changed? The changing face of teaching and learning

In the modern classroom, learning is still centred around the acquisition of skills and knowledge, but also experiencing this in an understandable context to fully comprehend the meaning and reason for this learning. Schools have embraced students’ preferred style of personal learning through videos, utilising Kahn academy, YouTube and TED talks to immerse students in the learning. Engaging with real-world contexts aids understanding and technology can bring the world into the classroom through examples such as Skyping experts and visiting online galleries and museums. Learning for today’s students is no longer a lonely existence but involves group work and collaboration. Connecting with others both in the classroom and outside develops skills in communication but can also open up thinking and see the learning in a different context. Collaborations are commonplace with the ease of Google Suite, online software such as Mindmeister and learning platforms like Edmodo or Teamie. As described by AJ Juliani in his book Empower with John Spencer, the teacher should now be more of a guide on the side, giving up power and control to allow students to own their learning. (Juliani, 2017)

Making it stick. How can contemporary learning be realised?

It is important to remember that effective learning stems from good teaching and this does not change no matter what the new app, device or strategy is. We often hear that the best app is still the teacher, especially in a technology-enhanced classroom.

Pedagogy is important, as is knowing your students’ needs and accessing their prior knowledge. Teachers must be adaptable and willing to embrace change to transform learning yet retaining its’ relevance.

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Whether using the lens of concept-based learning, the framework of TPACK, SAMR or RAT (Hughes, Thomas and Scharber, 2006) or the new most favoured pedagogical swing, students’ needs, both now and in the future, should be at the centre of the choices teachers make. We should ensure that students are involved in the process and that real-world examples provide relevance to their learning for greater engagement, motivation and retention. In an ideal world, developing individualised learning would ensure each student learns in their preferred style whilst accessing their interests and prior knowledge and skills. Leveraging our experiences with technology and how it can transform learning should be a shared experience, where teachers learn from other teachers. Technology can ease this through online communities such as Twitter to share best practice and practical application.

Keeping up with all the latest apps is not always the best route towards realising an effective learning environment, as the focus should always be on the learning, not the technology.

What will be the next big thing in education, what new strategy or innovation will shape the next decade of learning? What will tomorrow’s classroom resemble and what difference will it make to the way we learn?

Tomorrow’s World?

Top 10 skills 2020

In the near future, students will need to navigate a rich tapestry of opportunities where technology competence is crucial. Digital literacy will be on a par with reading. The World Economic Forum published an updated list of the skills necessary for 2020 including complex problem solving, critical thinking and creativity at the top. We need to be teaching students how to learn more independently through active participation and divergent thinking. (World Economic Forum, 2016)

In Future-oriented Education by Marc Prensky, Prensky talks about these same skills required, viewing technology as the “new foundation of education”. (Prensky, 2013) In a previous article “Shaping tech for the Classroom” (Edutopia, 2005) he discusses that instead of “doing old things in new ways’ teachers work towards doing “new things in new ways”, developing innovative approaches to teaching and learning. Already AR and VR are leading the way forward with immersive technology bringing together the digital and the physical world. It is our responsibility to prepare our students for a world that we do not know and for jobs which we cannot imagine by building resilient, motivated and creative thinkers.

How are you preparing your students for tomorrow’s world?

 

Visual note from Marc Prensky’s Shaping Tech for the Classroom by Nicki Hambleton

 

References

Bonwell, C. C., & Sutherland, T. E. (1996). The active learning continuum: Choosing activities to engage students in the classroom. New Directions for Teaching and Learning, 1996(67), 3-16. doi:10.1002/tl.37219966704

Erickson, H. L., & Lanning, L. A. (2014). Transitioning to concept-based curriculum and instruction: How to bring content and process together. Corwin, a SAGE Company.

Hattie, J. A., & Donoghue, G. M. (2016, August 10). Learning strategies: A synthesis and conceptual model. Retrieved from https://www.nature.com/articles/npjscilearn201613

Hughes, J., Thomas, R., & Scharber, C. (2006, March 19). Assessing Technology Integration: The RAT – Replacement, Amplification, and Transformation – Framework. Retrieved from https://www.learntechlib.org/p/22293/

Kolb, D. (2000). The Process of Experiential Learning. Strategic Learning in a Knowledge Economy, 313-331. doi:10.1016/b978-0-7506-7223-8.50017-4

Prensky, M. (2005, December 02). Shaping Tech for the Classroom. Retrieved from https://www.edutopia.org/adopt-and-adapt-shaping-tech-for-classroom

Ruben, A. (n.d.). SAMR: A Brief Introduction. Retrieved from http://hippasus.com/blog/archives/227

Sfard, A. (1998, 03). On Two Metaphors for Learning and the Dangers of Choosing Just One. Educational Researcher, 27(2), 4. doi:10.2307/1176193

Spencer, J., & Juliani, A. J. (2017). Empower: What happens when students own their learning. IMpress.

Teaching effectively with technology: TPACK, SAMR, RAT. (n.d.). Retrieved from https://micool.org/updates/blog/2016/06/09/teaching-effectively-with-technology-tpack-samr-rat/

Written by Jenny Soffel, Website Editor, World Economic Forum. (n.d.). What are the 21st-century skills every student needs? Retrieved from https://www.weforum.org/agenda/2016/03/21st-century-skills-future-jobs-students/

 

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Mission possible

Posted: September 24, 2017 in The Networked Educator

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SShh! Geniuses at work

The time: 9:50-10:15am every Friday

The place: The Ideas Hub, UWCSEA Dover, Singapore

The Mission: to work on a personal creative project

If you had 1 day a week to do what you like and to be creative what would you do? What about 1 hour or even 20 minutes each week? Students at UWCSEA in a Grade 6 advisory group every Friday are engrossed in planning something creative, something fun and above all self-driven.

So how do we structure the time to best help our students delve into their area of choice? How can we make the best use of the resources and time to authentically investigate and make?

Jacqui Benson is a Middle School Maths teacher, a creative thinker and enthusiastic maker. With an underused facility open to students during the school day, an ideal opportunity dawned on her and she shared this with her new  22 x 11 year olds during the first few weeks of term. Hearing about this I was keen to join in and, having read Spencer and Juliani’s book Empower over the summer, the opportunity to truly empower students with choice seemed perfectly timed.

 

Mad ideas or bad ideas

A moving car, robots, sewing, LittleBits, and banning plastics. These are just a taster of the projects our group are investigating each Friday morning.

Further down the school, iTime is a part of their working week, where primary students visit the Ideas Hub with their class teacher weekly to work on all sorts of creative projects. But, as students get older and move into Middle or High School, these creative personal projects dwindle and, for some, sadly disappear altogether. I have so many students (and adults) tell me they cannot draw, that they are not creative and don’t know where to start when given a problem to think about or solve. Yet creativity, critical thinking and problem-solving are at the top of the skills needed, according to World Economic Forum, to thrive in the fourth industrial revolution.

Having been a teacher for over 20 years, and valuing creativity above all other skills, I was excited to now see creativity and thinking at the top of the necessary skills for the future. Our roles as teachers must be to equip our students for this and it is all of our responsibilities, not just the art, drama and music departments. Thinking is involved in all subjects and in walks of lives, yet often an undervalued and tapped into skill. Being able to think and work creatively should be an integral part of school life.  Having trained as a graphic designer the Design Cycle is a natural workflow for me and it mirrors the way our minds need to work when solving a problem.

There are a multitude of methods, visuals and instructions for the creative process out there, from Spencer and Juliani’s Launch Cycle to Tiffany Shlain‘s 10 stage video, but the language and the sentiment are the same and always about generating lots of ideas. Often students (and adults) say they are not so good at this. They become fixated with a single solution and don’t allow themselves to wander into other possibilities. This is where creativity happens. Those what if and aha moments. You have to fail or at least produce bad ideas in order to take a new direction and then ultimately the good, and even great ideas follow.

But youngsters need help in getting there.

The Investigation

PLAY  –  PITCH  –  PLAN  –  PRODUCE  –  PRESENT

In the Hub, we are adopting a streamlined version of Juliani’s Genius Hour Blueprint. Genius Hour (aka 20% time, iTime or Passion projects) originated from the concept of 80:20 time used to investigate ideas not pursued in the normal working week. It became a time for individual creativity to flourish and for great ideas to blossom. From Google’s introduction in the workplace to personalised education and project-based learning, it engages and empowers individuals.

What's your passion sketchnote

What’s your Passion? sketchnote by Nicki Hambleton

The first session in the Ideas Hub last week, saw students heading straight for the woodworking area or trying out the sewing machine and playing with littleBits. But some were unsure, not knowing where to go, what to do or what to try out. These were the most interesting students, about to embark on a journey of discovery: clueless but curious. I asked lots of questions:

What do you like to do? What have you seen that intrigues you? What are you drawn to? What are they doing over there? What is your passion?

I am always thrown when I ask students what is your passion. Often they do not know how to answer this as they may not have one. It takes time to figure out what they want to do and sometimes they just need time to play to see investigating what there is and what might be interesting to them. Two girls wanted to continue their Grade 5 Expo project about banning plastic bags and were starting with a petition. I asked them, what do you want to achieve? What will success look like? Then what? They hadn’t thought much further than their original project and just wanted the time to continue it. This was fine, but I wanted to push them more creatively. I wanted them to think what difference they could make and what they thought that might look like in the context of our school, the community and beyond. It will be interesting to see how far they travel from their original plan. In the second session, we introduced the group to the next phase following their initial investigations.

The Pitch

The second phase in our revised structure is, for me the most exciting. Anticipating what different ideas these boys and girls have in their 30-second elevator pitch, I just can’t wait! Some will be very clear as to their idea, others very unclear, but, come next Friday we will hear them all, then open the floor to questions. This is an important phase as it can help the struggling ones to clarify their thinking and, for the fixated, blinkered ones, open their idea to other possibilities and directions. We aim to do this through a circle solutions approach with a follow-up on Padlet to pose and answer questions, and, if you like, with the permission of the class I will post the link here as an update next week. Please feel free to jump in and comment. I expect they will be secretly thrilled to have an outsider interested in their project at this early stage!

Purposeful Planning

Having clarified their idea it will be on to the main event: planning, more playing, experimenting, making, creating. Often creativity can be quite messy, figuratively or literally! But it always starts and ends up somewhere different, occasionally quite the opposite from where you originally thought. and that is the wonderful thing about the creative mind, how geniuses and, in particular, how young learners work – they don’t restrict their thinking or preempt the result. But even as young as 11, this utterly free thinking is all but over; the active imagination is closing down. Why is this? Why do we lose that wonderful freedom of imagination of a kindergartener? Do we lose it naturally as a part of life and growing up or do we stop using it or stretching it, like a muscle in sport, as the curriculum takes over?

Whether young or old, we all need to find time and space to work our creative mind, to activate our imagination and to allow bad and plain mad ideas to foster and grow. If you haven’t seen Elizabeth Perry’s Learning 2 talk “Play on” about her 10 minutes a day drawing practice, do watch it, and if you have, watch it again as it is a wonderful example of an adult’s journey into creativity and exercising the brain. It is also a great story of failing not failure (Spencer & Juliani, Empower) and about grit to deal with mistakes as bumps on the road of discovery.

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Lightbulb moment by Maureen Barlin on Flickr

The lightbulb moment

As for me, I have too many passions, too many projects and too many ideas. But, if I were to choose one, it would be to do the opposite: To practice meditation, to clear my mind in order to be more open to alternative possibilities. To anyone who knows me this will be a difficult task. I have always been blessed with having a creative mind with tons of ideas (often too many) and to try to have a clear mind with no thoughts seems impossible! But we all need to switch off occasionally, and it was whilst having my hair washed yesterday at the hair salon, that I found, just like in meditation (and often in the shower!) as my mind cleared and I relaxed, I then had my best ideas, genius thoughts and creative possibilities. I had to concentrate really hard to remember them as the shampoo was washed away, not wanting my ideas to do the same! So, as I returned to the chair, excited with my brain’s activity under calmness, I quickly jotted them into my sketchbook.

What do you do to be more creative, to activate your imagination?

What would your Passion Project be?

 

 

It’s the start of the year, with new routines, rosters and rotas. With the new term comes new students fresh from Primary School and raring to get into the Art room at the end of a busy day of listening, learning and hopefully a lot of laughter. I want my room to be a refuge, a rare oasis of calm and happiness and above all a place they feel safe. I want to get to know them, all 247 of them, especially the ones I have taught before yet never truly got to know well. How does one get to really know another?

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The first week meeting my students is also tainted with some sadness as I say a tearful goodbye to my eldest son, who departs for University back in the UK. It is with heavy hearts that, as parents, we have to finally let go and allow them to fly with their own wings, when really we just want to hold on to them for a little (or a lot) while longer. Do I know him well enough to know he will be happy, healthy and ready to embark on a new adventure 1000s of miles away?

Do we know anyone truly?

I first watched The Lab: Decoy last year and was intrigued by the concept. One man, 6 photographers, 6 perspectives.

It is fascinating to see, not only the skill and sensitivity of each photographer but how much the story influenced their portrayal.

“What would you like the photograph to say about you?”

Art expresses the heart and the none better than the medium of photography to capture more than just what someone looks like. Each photograph reveals some of the characters of a person through pose, position or emotion. Each photographer puts some of their own feelings and beliefs into their final chosen composition. My favourite part of the fascinating video is by far the grand reveal and the comment by the actor, “it almost looks like 6 different people”. How do people see you? How would you wish to be photographed? What story would you tell to help someone get to know you better?

 

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still from The Lab: Decoy

 

How do you portray someone through photography? As we embark on a digital photography project with Grade 7, their first task was to capture their partner and design a poster if they were running for student council. As they got underway, I overheard similar conversations to the video as students checked in with their partner as to how they felt they should be portrayed. Perhaps this is my first glimpse of them, not just as a person, but as a photographer.

“I want to bring out something of who you are”

How do we do that? How can art or photography capture the real person?

“A photograph is shaped more by the person behind the camera than by what is infront of it”

 

Grade 7 poster campaign

Getting to know you

Think about when you have met someone for the first time. How often do we judge someone by their name, looks or first impressions? Do first impressions really count? If this were true, some initial impressions of me might be that I am too quietly spoken, therefore shy or unconfident. They might notice that I am a good listener, so I am interested in them. But how much do we give away on a first meeting? When do you reveal your true identity, warts and all? When do I reveal that I am a tech geek, chocoholic, football widow and an introvert with wannabe extrovert tendencies? When do I share that I love being around people but also need peaceful time alone?

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Photo Credit: Nguyen Vu Hung (vuhung) Flickr via Compfight cc

Introverts are perhaps the least well-known individuals and there will be introverts in your class – some obvious to you, some not. How do you sense them, how can you engage them, and how can you support them?

There are many articles, books and videos guiding us about introverts but here are 3 recommendations:

  1. Watch Susan Cain’s Ted talk The Power of Introverts
  2. then read her book, Quiet: the power of introverts in a world that can’t stop talking
  3. finally, scan the list of 14 real life examples of extroverted introverts

 

Stop demanding group work
Go to the wilderness and unplug
Solitude is often a crucial ingredient for creativity
Own your intro/extroversion but delve into both

As I scan my 11 classes online, searching for any clues as to their inner personalities, one click takes me to their medical information, learning issues, contacts, siblings and previous attendance. But I don’t see what excites them, scares them, what their favourite sport, TV show or food is. I can’t access what their dreams for the future are or how many pets they have. I can’t tell if they love my subject or loathe the very thought of putting paint on a paper or drawing a plant. I can only guess their story.

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On the first day, Middle School teachers we were asked to write a short blurb, an introduction about ourselves, for students to gather together a picture of their teachers for their parents in the initial weeks of term – but what about their blurb, their story?

I wish I had asked them to write to me about what they would like me to know about them, much as a Primary teacher might ask students to send a postcard introducing themselves during their holiday. I wish I had the time to chat with each and every one about their likes/dislikes, life at home and away and to see where we cross paths and interests.

In the meantime, I have asked Grade 7 to make a Top Trumps card as an initial door into who they are as a person and an artist in my class. It’s a bit of fun but a starting point for discussions into their strengths, passions and Achilles heels! (If you don’t know what a Top Trumps card is, google it!)

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Will I judge them by their first artistic creation, or by their ability to complete the homework creatively and on time? What will I learn about them from their questions, their answers or their silence?

Could blogging allow their voices and their idiosyncrasies to unfold?

I have only one lesson a week with all these individuals – how can I use the time wisely to get to know them better?

How will you be getting to know your students better this year?

Postscript: Like to get to know you well was a hit back in 1985 from the fabulous Howard Jones, who is still creating, performing and sharing his passion today. I dearly loved his words, sentiments and hair, and I continue to follow his changing style and endless innovation in music and technology today.

What does Learning Look like Crazy 8

What does Learning Look like? Post it Crazy 8 thinking routine challenge by Nicki Hambleton

Think of a lesson you have been planning.

You might have spent hours putting together the most engaging lesson for your students: visuals and slides mapped out, handouts printed, you’ve planned fun and varied activities and you have probing questions at the ready.

You have taught this lesson a hundred times so you know the content well. But how will you know if your students have really understood and learnt anything?

What does learning actually look like?

I asked the same question to a group of educators at the Learning 2 conference, Warsaw back in April, where I was running an extended session called Learning and Thinking Out Loud through visual note taking and thinking routines. I used the simple routine Crazy 8, first demonstrated to me by Kelly Grogan and Ed Chang from the Chinese International School, HK at the iPad conference held at UWCSEA.

I explained that they would be drawing 1 idea per post it every 20 seconds (a feat most thought they would be incapable of, but weren’t!). Each idea drawn would represent what learning looks like. To show them what I meant, I drew a quick example:

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quick doodle for collaborative learning

At the end of the 3 minutes their ideas looked like this:

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Crazy 8 example doodles.JPG

We shared thoughts and discussed what they had drawn with comments such as:

“Learning can be messy”, “Learning is never ending” and “Learning should be fun”.

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Photo from Learning 2 conference, Warsaw, April 2017

What learning actually looks like and what it should look like can be quite different, but learning out loud, making it more visible and tangible can aid further discussion and understanding of that thought process.

What would you draw for What Learning Looks Like? 

What alternative question might you ask in your classroom for students to draw their responses using the Crazy 8 thinking routine?

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Photo Credit: Alan Vernon. Flickr via Compfight cc

When I was at school, learning was predominantly teacher led and all about listening, reading and writing, with exams at the end of the year. I don’t recall there being any student choice, collaboration or to that extent much fun, but that’s how it was.

In my classroom today, my students share that they are more empowered by autonomy and choice and, wherever it is possible, I try to include them in the planning process. But how do I know that they are learning or indeed, what they are learning?

You may be thinking that learning in Art is quite obvious as it is visual – a drawing, sculpture or painting. But how do I know whether they have truly understood the concept, the skill or technique? How do I know what is going on in their heads?

When learning only goes on only in one’s head we cannot see it, understand it or question it. We cannot track the thought process, probe into their thinking or push ideas in other directions. It is only when we get students to visualise their thinking that we can start to understand their processes, methods and see the way they work.

If you haven’t read the book “Making Thinking Visible” by Ritchhart, Church and Morrison or “Creating Cultures of Thinking” by Ron Ritchhart or devoured the resources on the website Project Zero and the Visible thinking routines, I strongly urge you to do so at you earliest convenience, I promise you will not regret it.

Project Zero began 50 years ago, led by a team of researchers including Howard Gardiner, discussing the cognitive skills needed for arts education and conceptual understanding through the arts.

You can find multiple, easy to use thinking routines through the website and many educators from elementary to high school use these to enhance and visualise thinking in their classrooms.

The best way to start is to choose just one routine and try it in different ways with different concepts and classes.

see-think-wonder

My most favoured routine is SEE THINK WONDER, which I use when introducing a new artist or art form such as installation art, when reflecting or giving feedback and when analysing or discussing artworks. During a discussion, it allows students to think more out loud, hear others ideas and to expand their own thinking. For Middle School art students it opens their minds at the start of a new unit and allows them to ask questions and wonder about the meaning or reason behind the artwork. In short, it gets them thinking more independently.

You can read more about the Making Learning Visible online course on their website and about UWCSEA’s group experience in a previous post of mine.

Recently I stumbled on a new routine, via Simon Brooks’ website called 8 to 1, where students whittle complex concepts into more manageable understandings, essentially by capturing it in 8 words, then 4, 2 and eventually down to one word:

1. If you were to write exactly 8 words that captured the heart of what should be remembered, what would those 8 words be?

2. Now that you have your 8, can you distill them down to 4?

3. And 2?

4. And 1?

5. REFLECT: Share your 8 words, your 2 words and your 1 word.  How did your thinking change?  What did you learn about what’s most important here?

Sharing their thinking seems to be at the heart of the routine and I see this as the most valuable learning experience for them. Brook posts a student example, below, relating to Hamlet’s speech but this routine could easily apply to IB Physics, HS Geography or MS Art.

 

 

How might you try out this routine in your class?

How could this help students to share their learning?

How does learning look different in other curriculum areas?

EMPOWER sketchnote

EMPOWER sketchnote by Nicki Hambleton drawn on iPad using Adobe Draw

Student choice is the heartbeat of ownership and empowerment

so what can we do to ensure this is integral in our students learning? How do you integrate personalised learning into your lessons?

Personalised Learning

Personalised Learning visual note by Nicki Hambleton using Adobe Ideas on iPad

The book has certainly given me much food for thought here relaxing in Italy, sipping rich red Tuscan wine and munching on sweet succulent tomatoes and bruschetta.

What have you read this summer that has changed your thinking?

How can you embody the ideas in Empower to help students own their learning?

What does learning look like in your classroom?

One of my goals for the next academic year is to build students’ skills in self-directedness and, to help this process I have been investigating Hyperdocs as a strategy to guide students through the unit yet allowing them choice and time for personal progression. Hyperdocs are a possible solution to personalised learning using technology to gather multiple resources online.

 

Hyperdocs are and are not

Hyperdocs.co

 

 

Hyperdocs, a transformative, interactive Google Doc replacing the worksheet method of delivering instruction, is the ultimate change agent in the blended learning classroom.

You can read more about Hyperdocs on Cult of Pedagogy or on the main Hyperdocs site. Have you used Hypedocs yet? How has this changed student learning?

I would love to hear about your experiences, challenges and thoughts on personalised learning, empowerment and any other ideas you have for making thinking more visible.

Please share your experiences and ideas in the comments below.

This blog post was a reflection of and in response to the powerful TED talk by Will Richardson “The Surprising Truth about Learning in School”.

 

Screen Shot 2017-06-18 at 8.32.56 PMThe Creative Revolution – full STEAM ahead

First there was the Industrial Revolution in the late 18th century with the mechanisation of the textile industry. Then, the second industrial revolution of the early 20th century leading to increased mass production and in the 1980’s the Digital Revolution was well underway, changing industry again. So what’s next?

Are we about to have a new revolution or is it staring us in the face? Could this be the Age of Creativity?

According to Sir Ken Robinson, “Creativity is as important in education as literacy” so what are we doing about it? (TED, 2009)

Ken Robinson Creativity

We read about the importance of STEAM and the integration of the Arts being crucial for holistic education, so why, in the UK, are creative subjects being cut from GCSEs and A Levels, including History of Art. (Independent, October 13th 2016) In fact, A Level History of Art will see its last students examined in 2018. In response, historian Simon Schama says: “Axing art history deals another blow to the creative capital of this country. Art history is an exacting discipline: to engage with it needs history, philosophy, languages, literature, tools the next generation needs.”

In the US, Trump proposed cutting funding to Arts related agencies like the National Endowment for the Arts (NEA) (Independent May 1st 2017)

In Australia, over 50 creative subjects have lost funding for student loans including jewellery, circus and art therapy (Student loans cut to creative courses, Richard Watts, ArtsHub, 10 October 2016).

So instead of supporting and promoting more time and resources to creativity it appears to be quite the opposite.

Why is creativity so important to our future?

For over 20 years I have been promoting the benefits of the Arts and how the skills involved in our subjects go beyond simply being able to paint, draw, sing or dance.  It genuinely upsets me that students, at aged 14, can all but give up any form of creativity as they enter GCSEs. Even Group 6 of the IB Diploma is optional, where students do not have to choose a creative subject and can opt for another science or language for example. In my short video, prepared as a proposal for an ADE showcase on creative thinking, I highlight the growing trend away from creativity further up the school and how this skill is such an important life skill. A skill needed for a world that is rapidly changing, for jobs which we do not yet know and the obvious need for innovative and creative thinkers.

Being creative is not about being artistic, dramatic or musically minded. It is about thinking differently. Creative thinking is a skill that must be encouraged and taught through opportunities in every subject.

Tara Prendergast, in her TEDx talk The Creative Revolution, reminds us that we are “living in a world that is moving so fast and where technology is blowing our minds”. Being creative is one of the top skills needed to prepare students for this future. According to P21’s Framework for 21st Century Learning “A focus on creativity, critical thinking, communication and collaboration is essential to prepare students for the future.”

 

In order to develop this essential skill Prendergast says we should “build community and a culture around creativity”. So what does this look like in your school? What exists already to encourage and cultivate a culture of creativity?

How can we encourage creativity?

In Primary school, play forms a crucial role in allowing students the time and space to freely experiment, invent, fail and succeed.

The Kindergarten approach allows learners to develop as creative thinkers for a world that is changing more rapidly than ever – the need to be creative is imperative in order to come up with innovative ideas for solutions we don’t not know about yet. “We need to develop innovative solutions to unexpected problems that will arise” (Mitchel Resnick, MIT). In the same way that Kindergarteners learn, we need to continue this approach throughout our lifetime: experimenting, inventing, failing and succeeding. There is a genuine need to tinker and play in order to develop creativity.

In my previous post about Play, I talked about the need for students and adults alike to be more playful, to problem solve and thus more creative. But what about higher up the school? How can all subjects integrate elements of creativity alongside their content?

In the revised Bloom’s Taxonomy, CREATE appears at the top, upgrading “synthesis” and leapfrogging “evaluating”, for we know that, in order to create we must thoroughly evaluate first. How do different curriculum areas incorporate this higher order thinking?

 

What do you do to promote creativity?

Taryn BondClegg, a 5th Grade teacher, recently posted about creativity on her blog, Risk and Reflect. If you are in Primary, I urge you to read this engaging post about her Creativity Thursdays. Actually, if you are NOT in Primary, I urge you to read her post! In brief, she dedicates one whole day a week for her students to pursue their creative passion or a creative project they want to learn more about. They select from “a menu of creative endeavours” each week and what Taryn noticed goes way beyond simple creativity:

Not only were students developing their Learner Profile attributes, PYP attitudes and ATL skills, but there was also rich, authentic engagement with literacy, math, humanities and science!

Whether you are interested in STEAM projects or just want to help develop curious and creative individuals, there is compelling evidence for teaching innovation and creativity.

Imagination is more important than knowledge. Albert Einstein

Pete O Mara, in the Times Herald article on May 17th, 2017, states that “developing the creative mind has never been more important“. Why are schools and parents paying more attention to grades and assessments and such little emphasis on creativity and imagination?

“We place such a high value on intellect in our education and ignore imagination.”  (Pete O Mara)

Creativity in Education - exploring the imbalancePhoto Credit: Shakespeare1980 Flickr via Compfight cc

There are so many ideas for incorporating creativity, imagination and thinking, I found it hard whittling my research down to just one to start you off! The 3 Rules of Creativity by Stephen Guise on Pick the Brain, back in 2014, still rings true for me today and hopefully offers you some simple guidance:

3 Rules of Creativity

Rule #1 Limit your options and narrow your focus

Being specific about what your task or goal is will help focus your ideas. Too many options can be overwhelming so limit these so you can develop better ideas. Narrowing your focus can lead to greater creativity.

Rule #2 Believe you’re creative

Self belief plays a huge part in being more creative as it does in many walks of life. Believing you can improve is the first step.

Rule #3 Embrace bad ideas

By rejecting bad ideas you may be preventing a good idea forming. By accepting bad ideas are just ideas you might be able to combine them to produce a good idea.

Simple, right? You have no excuses – get out there and not only teach creatively but teach for creativity. (Quote courtesy of Sir Ken Robinson)

I’ll leave the last word to John Spencer on how creativity is tough. It is tough but worth it.

 

When we use the word play it conjures up lost days as a child making sandcastles on the beach or tents from sheets on a rainy day. It reminds me of free time, unrestrained joy and creative interludes in the drudgery of normal life. Play means fun.

If I use the word in the classroom, the atmosphere changes; students are more free with their experimenting without boundaries and restrictions. But often they don’t know what to do; they have forgotten how to play in a learning context. My students are Middle School but I am sure that High School students are the same. So, when did they forget how to play when learning?

Teenagers play all the time when learning a new video game, trying things out, failing, trying again, but they don’t equate the same when at school.

Being playful appears to stop at Middle School, perhaps as they may look foolish in front of their peers, are fearful of making mistakes or maybe they just think they are too old for play any more having transitioned from Primary School.

As for adults; we play even less when learning something new.

So who told us to stop playing?

Picasso stated that,

All children are artists. The problem is how to remain an artist once they grow up.

What is play?

The Oxford dictionary describes play as:

activity engaged in for enjoyment and recreation, especially by children.

to engage in activity for enjoyment and recreation rather than a serious or practical purpose.

Play is a fundamental part of Kindergarten or pre-school, taking up much of these youngster’s day. Play is important to build imagination, collaboration and friendships and they are “developing their language, math, and social-interaction skills.” (Osei Ntiamoah, The Joyful, Illiterate Kindergarteners of Finland, October 1st 2015). Further more, according to her research study The Power of Play, “in the short and long term, play benefits cognitive, social, emotional, and physical development…When play is fun and child-directed, children are motivated to engage in opportunities to learn”.

But is play just for the young learners?

 

Get the Play-doh out!

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Photo Credit: el genio del dub Flickr via Compfight cc

There is nothing more satisfying than playing with a lump of clay, plasticine or play-doh. At any age, the feel of the soft dough (and the smell) brings back memories of childhood and a uncontrolled time of wondrous abandonment! As an art teacher, my classes go quiet when clay is out and students would genuinely choose this medium above all others! But clay work higher up the school is far less used and painting, drawing and photography dominate our exhibitions every year. Other sculptural media feature but less so ceramics. Is this due to their fear of failure or just that we don’t allow them to play enough once past Primary school?

So how can we bring back fearless play and incorporate Play-doh into other curriculum areas?

In the Edutopia article “15 ways to use Play-doh in the High School classroom” (Carrie Wisehart, 6th November 2017) she reminds us that “Create is at the top of Bloom’s Taxonomy. When students are forced to synthesize what they’ve learned and make a sculpture, they are doing some crazy critical thinking. Play-doh is a great way to keep students engaged, let them use their hands, employ creativity, and you can have a new and different form of assessment that is actually fun.”

We remember when we engage.

Real world play (a bit like imaginative play, make believe or role play) may well be the way forward for many of our older students. In the article, “How to bring Playfulness to High School students” (Zaidee Stavely Mindshift July 24th 2015) students are more motivated when faced with problems to solve that take them beyond the classroom walls. Arana Shapiro, director of school design at the Institute of Play, believes that “when you start with content, and then you think about play, you often think about a game like ‘Jeopardy’ and the facts that kids need to know. If you can really dig deeper into the understandings you want kids to have five or 10 years down the road, those are almost always real situations.”

Play lights up our brains

Elizabeth Perry, in her recent talk “Play On” at the Learning 2 conference in Warsaw, Poland, reminds us that almost all creativity involves purposeful play. She talks us through her own experiences of new learning and how she nearly gave up when faced with a failed drawing.

“stay playful by doing something badly, then keep doing it”

You can read more on the creative exploits and daily drawings of Elizabeth at her blog, Wool Gathering.

 MIT Mitchel Resnick

 

The Importance of Play

When trying out something new, play offers no boundaries and no assessment, allowing us the freedom to experiment to learn.

One of my most favourite TED talks, “Watch me play…the audience” shows Bobby McFerrin “playing” the audience as an instrument and tapping into their ability to learn music on the spot:

There is an inherent need for play in us all, whether just to let off steam, as an antidote to our stressful lives or as genuine therapy.

Child’s Play

Play therapy (for adults) is a thing. In fact, in the Telegraph article “What’s behind the infantilising trend for adult play?”(The Telegraph, 3rd March 2016) I discover there are “creative counsellors” helping clients to let go and revisit the footloose days of their childhood, playing with sand and wellness centres with therapeutic play practitioners. Husni Bey, founder of Creativity Unmasked, believes, “creative play can help connect us with the subconscious, free emotional blockages and develop our confidence, optimism, self-worth and personal growth.”

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Photo Credit: ClevrCat Flickr via Compfight cc

We get lost in play and stop thinking.

Popping up in the UK are adult soft play nightclubs. The first, in Birmingham at Amusement 13, hosted a “Regression Session”, with bouncy castle, a lego lounge and ball pits and BallieBallerson, in London, boasts 250,000 clear glow-in the dark balls in its adults-only ball pit bar, pulsing away to the music!

That’s it! I’m off to bounce away my Monday blues- care to join me?

 

Some of the most popular buys on Amazon this Christmas were adult colouring books and board games. In our busy and technology driven lives these retro tools give us a well earned breather and a step back into how it used to be before were were permanently connected.

Don’t get me wrong, I love my devices but we need to strike a balance and games, books and even jigsaw puzzles are a nod back to the days of calm and uninterrupted focused, unstructured play.

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Photo Credit: mondays child Flickr via Compfight cc

But is it just a fad or a need for nostalgia?

In the article “How jigsaw puzzles became the latest warriors in the battle against the digital revolution” (Telegraph, March 26th, 2017), Sara Allbright, senior buyer for John Lewis says, “People see it in terms of trends like mindfulness in a world of technology,” says Allbright. “Using things like jigsaws to re-engage and take a moment away from the day-to-day.”

What sort of play do you remember and what do you think of digital vs traditional methods of play?

Learning a new tool

Just this week, I attended the local ADE meet up where we were invited to play around with the relatively new tool Apple Clips on our phones. We were challenged to tell a story using simple images and video clips including natural, outdoor and close up shots as well as selecting from some quotes to include.

We had 20 minutes to collaborate with other ADEs, have fun and learn the tool. Chaos and laughter ensued. The results were hilarious, clever and downright silly (ours) but it took this unstructured play to let us loose with our creativity and get to grips with the app. Needless to say we will all be looking for ways to include it in our classes as a result.

Mark Anderson (@ictevangelist) has written a great post on using Apple Clips in different curriculum areas

https://ictevangelist.com/5-ways-to-use-apple-clips-in-the-classroom/

100 day project

This week I decided to commit to being more playful as a result of this post. I invite you to look at the 100 Day project, which originated in New Zealand or follow the posts on Instagram. Participants sign up online (this year’s starts on May 22nd) and commit to posting one creative thing every day for 100 days. Beck, an art teacher colleague, and I decided to both participate so we can encourage each other and track our creativity over time, much like how Elizabeth first started her daily 10 minute drawings.

Watch this space for the final (100) artworks.

What would you choose to do creatively daily for 100 days?

What would you like to pursue to bring back the child like playfulness in you?

What ways can you bring play into your classroom?

36599215214_dfaad3eda7_kMy Desk – tradigital tools

Digital Tools across the decades

What were the first digital tools you used?

How has your practice changed over the years because of the digital tools available to you?

What will be the next transformative tool we cannot imagine teaching without?

Here, created using Knight Lab Timeline is an interactive visual documenting a selection of the tools I have used professionally and personally. Scroll to the right to follow the timeline or click the arrow to navigate.

(Currently, the embed code isn’t working so please click the link below)
https://cdn.knightlab.com/libs/timeline3/latest/embed/index.html?source=1yTUw-C4LiBA2Wqkv6wa1K2ymiozomhIODna16WtmquE&font=Default&lang=en&initial_zoom=2&height=650

What is your most frequently used digital tool?

Which could you not do without?

If you want to make your own timeline the website is very easy to follow, and there are many tutorials online.

They also make very nice Story Maps, check out this one on Hieronymus Bosch

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What if…

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All drawings made with Adobe Draw and Adobe Capture. Animations made on Brushes and Keynote. Credits to Dave Caleb for the family photographs towards the end.

Script: 

What if JK Rowling had stopped believing in her story when she was rejected by 12 major publishers?

What if Walt Disney stopped creating when he was fired because he “lacked imagination and had no good ideas“?

and what if underdog Eddie the Eagle Edwards had given up on his inconceivable dream of Olympic glory in ski jumping?

But they didn’t – why was that?

Because they were passionate about their work, it mattered to them and they were determined to carry on

But what if you’re not passionate about something and you still have to do it? What then? 

How do you motivate the unmotivated?

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As parents you might give extra pocket money incentives or take away privileges, and as teachers you might have used rewards or punishments, but, according to Dan Pink, these carrots and sticks just don’t work. Not in business or in education.

You are more likely to stick at something and be better at it, if you are intrinsically motivated.

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and it is Autonomy, Purpose and Mastery that drive us.

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But what about the individuals, the unmotivated ones?

Luca is a fun loving guy who loves music, art and gaming and, as a typical teenager he is easily distracted from work by playing games with his friends, watching wrestling and funny videos. But he was getting frustrated with the challenges he was facing with his cognitive skills and, like so many of us, needed regular support and feedback.

So I showed him Peak on my phone, an app that levels up your brain, using games that challenge and motivate to build Focus, Memory, Problem Solving and Mental Agility

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soon he was showing Progress and improvement and this was having a positive effect on his cognitive skills.

Further up the school the fun element sometimes gets lost and curriculum content takes over. Piers is a creative thinker, musician, filmmaker and, no surprises, a gamer. He will commit days to edit a film, practice for hours on his guitar and while away time perfecting his driving skills in Euro Truck Simulator! But he is not so motivated when it comes to revising. With just one month to go before his final IB exams and university offers to study Film making, he has purpose but has he got the drive?

He uses Quizlet and flashcards to study?/review key concepts, but how can he motivate himself to revise Hamlet’s monologues or molecular Biology? So we looked at sketchnotes as a way to map his thinking and and he started to plan some of his own.

Just as mnemonics, narrative and songs help us remember, adding visuals to text (dual coding) and connecting new learning will help to retain memory.

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We are more motivated when we have freedom and choice, so what if we could have more autonomy in our learning?

Richard loves sport and is a keen footballer, but he’s a little overweight, has high blood pressure and a bit of a weakness for beer! He uses the Activity app on his watch to track his runs, distance on the pitch and general fitness and, like Peak, it shows him small measurable progress that motivates him to keep improving.

But unlike Richard I am not motivated by competition and leaderboards, in fact I am more likely to swap the gym for a packet of Maltesers! But I am engaged by games (Luca), passionate about visuals (Piers) and driven by small measurable successes (Richard).

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I use WaterMinder which visually (and audibly) reminds me to drink more each day and tracks my progress to keep me hydrated

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and recently I was introduced to Zombies, Run; a fun fitness app that relays an engaging story as you collect items and walk or run away from the zombies – this might just be the motivation I need to get fit.

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Now if only I could find an app to gamify report writing!

So how might you motivate the unmotivated? Could technology the magic trick you are looking for?

Understanding what drives us works, as it did for Luca, Piers and Richard. And the reason I know this? is because these aren’t just anyone’s family – they’re my family and my motivation. What I see in my family, I also see in my students, and every day is an opportunity to help others to drive and motivate themselves, whether a future blockbusting screenwriter or a regular 7th grade guy.

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Get rid of those carrots and sticks and try some motivation magic, then perhaps it won’t be game over for you or your students just yet.

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and if you want to see the live video here is the link on YouTube

Visible Thinking

Posted: October 2, 2016 in Visual Thinking

New Year New Learning

Around 5 years ago I stumbled on the work of Ron Ritchhart through my Vice Principal Paul Brogden, an avid fan and user of the Thinking Routines. I devoured the book, “Visible Thinking” and pored over the HGSE website, specifically Project Zero, wondering how I had ever lived, let alone taught before knowing this! Testing out some of the routines was a start and, as most new learners, I began with one that fitted neatly into the curriculum: See, Think, Wonder. You can read all about the thinking routines at the Harvard site.

see-think-wonder

A team of 6 MS teachers from the UWCSEA Dover campus embarked on the online Making Visible Thinking Course from HGSE. We were an eclectic team of me (Art teacher and Head of Grade), a Head of English and Literacy coach, a Science teacher, a Language teacher (Head of Spanish), a Maths teacher (and MS Pastoral Vice Principal) and finally a Geography/Humanities teacher (and Curriculum Vice Principal). It was a great mix and we learnt so much about each other and the curriculum we have for our Middle School students.

The course is divided into 6 individual courses and each team has a coach who manages many other teams from around the world. We connected through the portal and comment and feedback on other teams which is wonderful. My art teacher friend from COETAIl, Matt McGrady first introduced the idea of the online course and he and a team from Abu Dhabi participated in this phase too.

creating-cultures-of-thinking

The first course opened us up to the routines and helped us to navigate the site, sharing and posting about what we discussed as a team about creating a Culture of Thinking. Earlier this year, Ron Ritchhart published the book, “Creating Cultures of Thinking: The 8 Forces We Must Master to Truly Transform Our Schools” to help guide us in teaching students habits of mind for deep learning and to encourage collaboration and group learning to develop powerful communities.

Already, as a group we were collaborating online, meeting and chatting ad hoc and sharing experiences and ideas about our thinking as a result of the readings, videos and information shared. It was an exciting time. Time will always be a stumbling block for teachers and finding time to share and talk was always going to be challenging for 6 teachers in different areas of the school with varying constraints

As laid out below, the 8 forces that shape our classrooms are imperative in developing a rich learning environment:

cultural forces1

Fostering a culture of thinking resonated with us as we help youngsters navigate the complex digital world they have been brought up in. So much is done for them; an answer is just a click away. When do they stop to think for themselves? Do we give them thinking time on class when we ask questions? Do you give students at least 7 seconds pause time for thinking when you pose a question to the group? Which of the cultural forces most resonate with you? It seems that this course opens our thinking and help us to encourage others to draw students away from their comfort zone and to enhance their critical and analytical thinking more.

 

 

“The more that you read, the more things you will know. The more that you learn, the more places you’ll go.”

Dr. Seuss

Learning in the Library of COETAIL a visualnote drawn by Nicki Hambleton on iPad with Adobe Ideas

Learning in the Library of COETAIL a visualnote drawn by Nicki Hambleton on iPad with Adobe Ideas

Let me start at the very beginning…

Back in Course 1, I found the greatest learning was through connecting. (Connect Collaborate Create). Twitter, in particular, gave me an online family to offer support, answer questions and helped me to develop. I have never been so in awe of an online platform to learn from. At times it is overwhelming and there is too much information that I try to take note of. My Evernote is fit to burst, my Instapaper unread and my Flipboard not working, but I try to stay on top of what is important to me.

It was during this time that I asked myself:

“how can I connect students outside of the art classroom?”

During one of the live COETAIL chats, Dane Watts also talked about student connections and it was in Course 1 with the guidance of my mentor Clint, and help from Vivian, Joe and many other COETAILers online, that the seed was sown for what was to be the beginning of the end of COETAIL. It has been incredible to connect with Matt and Anne, both teaching art and members of the COETAIL online cohort like me.

The Beginning of the End? Visual note drawn on ipad using Adobe Ideas by Nicki Hambleton

The Beginning of the End? Visual note drawn on ipad using Adobe Ideas by Nicki Hambleton

As I was preparing for the end of Course 4, my thoughts turned to a bigger concept. I loved the online wikis and websites that I talked about back in Course 4: how art teachers in Asia can connect through the ARARTE ning and IB Visual Art students and teachers can share their work on Mrs Anderson’s wiki.

I marvelled at the way you can be connected with like minded people and share and learn alike on sites like Deviant Art. Much as I love reading others blogs and looking at websites, the real growth comes in the interactions and activity. You learn so much from one another and it was with this thought that the idea evolved.

GOALS

Having posted my plan online, Matt contacted me and asked if I would like to collaborate on Course 5 and also with Anne, both Art teachers in Abu Dhabi and China. Together the 3 of us set out to connect our students to share their art and give and receive feedback online. Matt suggested using Quadblogging, as I explained on an earlier Course 5 post, and I researched its origins and successes.

Photo Credit: SurfGuard via Compfight cc

Photo Credit: SurfGuard via Compfight cc

For me, my goals were clear:

“for students to connect online and to give and share feedback on their artwork”

“to learn about and apply digital citizenship to their daily practice”

but also:

“to see how far the connections would reach and what developed from them”

Here is the original UBD from the end of Course 4 documenting my idea:

INTRODUCTIONS

As the project kicked off, I introduced it to all of my classes, sharing my thoughts and blog with them. They ALL wanted to get involved! The plan was to only use one class, but who was I to say no?! I had to draw the line at Grade 6, despite their enthusiasm for the project, as I knew that would take the most time and energy in educating them about internet safety, careful and respectful commenting and sharing online. I still have plans to start the new academic year blogging with all classes.

I set up the landing page to connect all classes with one another but also for parents and the wider community to see what we were doing. It think it also helped the students and teachers in the other schools to find their way! You can find it at the top of my blog as a separate page called Quadblogging.

The landing page for the class blogs

The landing page for the class blogs

But as the students got more involved it seemed that the goals were changing:

“how could we share our work with a wider audience and develop a student orientated space online?”

TOOLS

I decided to use Blogger as students already have Google accounts and it synced seamlessly with them. Talking them through the process of signing up and commenting was just the start and beyond that students worked on designing the space asking for authorship rights. This was a new risk for me as they inevitably designed, redesigned, changed layout, logo, headers and labels almost daily!

As the project developed, I found I was pulling from all four courses of COETAIL and in fact the students were beginning to mirror my own experiences.

Mirror Me image drawn by Nicki Hambleton on iPad with Adobe Ideas

Mirror Me image drawn by Nicki Hambleton on iPad with Adobe Ideas

I always think far too big, but if I was to give the students a valid and authentic experience I couldn’t help but incorporate my learning from the whole of my COETAIL journey.

The 5 rooms in the COETAIL house drawn by Nicki Hambleton on iPad with Adobe Ideas

The 5 rooms in the COETAIL house drawn by Nicki Hambleton on iPad with Adobe Ideas

REACTIONS

All my classes were excited to be involved in the blogging task. I introduced it in class and sent an email explaining the project to all parents.
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It seemed the right time and place to be addressing Digital citizenship yet in a practical way alongside the lesson work. Students too were eager to get started with connecting as Ashari, Khush and Tamzine explain in my video:

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Here is the final video of how the project evolved:

From start to finish I have been both impressed and surprised at the students tireless enthusiasm and constant commitment to pushing the boundaries of online connecting. I love that I too learn from them as they find alternative (and better) ways to connect and collaborate.

HITTING THE TARGET

Photo Credit: wizzer2801 via Compfight cc

Photo Credit: wizzer2801 via Compfight cc

From listening to my students and reading their ongoing reflections it seems clear that they have met the goals of connecting and understanding digital citizenship. We have begun to see a glimpse of what might happen as the connections grow and deepen over time too. Even though Grade 6 were not involved at this stage in the blogging project the aims of understanding Copyright stretched to them as they shared photos on a Flickr site and they discussed using music in their Stop Motion animations. It was great to see the learning flowing into other classes as a result.

Zain talks about starting a Flickr site to share their own photos

Zain talks about starting a Flickr site to share their own photos

Making Stop Motion videos and addressing music copyright

Making Stop Motion videos and addressing music copyright

 

 

 

 

 

 

 

With youngsters it is crucial to keep revisiting digital mindfulness as they can be lulled into a sense of familiarity the more they connect and communicate. Just the other day I found one of Grade 8 students discussing the reasons why a video should or should not be uploaded due to its unusual style and content: “Might it offend someone in another country?” “Would they understand it” “How personal to a culture is humour?” The video stayed online for little over 4 hours before he decided to take it down and rework some aspects. It is controversial but he wanted to debate the idea too. Is blogging a place for such debate? I believe that it can be if handled appropriately. Often online we are watchful of what we say and debate is rarely seen effectively and openly, so it is important we teach our students how to debate effectively and respectfully.

LEARNING

Did my students learn from the experience? How did my learning change too?

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Students reflected that their learning had and still is changing due not just to the project but as a result of connecting and sharing. They changed their ideas about how they could learn not just what they were learning. They are enjoying the process so much their thoughts are currently looking ahead to how they can incorporate different types of learning about art online and to a wider audience. I have learnt so much with them about how students learn best and how learning changes as they move up the school. I still want to involve my youngest Middle School students, those eager Grade 6s and, as the academic year draws to a close I would like to integrate them into the process somehow: maybe with just one blog and for interested individuals to post, yet all can view and comment?

Next year as our online learning platform takes off with all classes, there will be ample opportunities to work with students online, sharing and commenting and this may help to develop good practice and start to journey towards the ultimate goal of a more connected space for artists.

WHAT WOULD I CHANGE?

Antonio and Eric talking about using  rotating teams to connect for ease and diversity of comments

Antonio and Eric talking about using rotating teams to connect for ease and diversity of comments

Reflecting the voices and opinions of Antonio and Eric, it would have been far better to have focussed on just one class. But how could I have chosen and known just how interested and intriguing the process would have been if I had not allowed all 5 classes access and involvement?

I like the idea of using teams across schools that rotate and change as the weeks evolve. This would allow everyone to receive comments and to grow the connections far better. The original Quadblogging site documents a similar process where the “quads” are changed after each 4 week cycle. With this in mind, I wonder if we can set this up online with the help of art teachers worldwide: a more focused, subject-specific version of David Mitchell’s initiative?

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Anyone interested in starting this in the new year? Please spread the word online and get in contact with me if you are interested in linking your art students to mine. It would help me and my students to start connecting further afield and bridge the gap to the classroom in the cloud.

Whilst asking the students for feedback towards the middle of the process many students suggested ways to connect beyond the blogs including via Skype. This got me thinking that we could use this more in the classroom to talk to and learn from experts. With this in mind I reconnected with a British painter, Niki Hare, via email who my students had sent questions to last year about her process of working and the meaning of her work. They are excited this year to be able to connect with her via Skype this week to ask her advice when creating abstract and emotive paintings. I cannot wait to see how their thinking changes with this connection and how Skype might broaden our learning in the art room.

Connected Classrooms? when pigs fly drawn on Adobe Ideas by Nicki Hambleton

Connected Classrooms? when pigs fly drawn on Adobe Ideas by Nicki Hambleton

WHAT NOW?

Right now my students are still in the process of awaiting comments on their second post. This has taken time to await the 4 week turn around and it set me wondering if there was a more natural way for it to progress. Should students work more organically, posting as they wish or would that clog the page and lose the thread and equality? My thoughts slipped back to the idea of the website and how this would give much more autonomy for student choice.

brainstorming ideas for the website

brainstorming ideas for the website

This was where my students thinking really took off. It was only supposed to be a lesson starter, a suggestion of an idea, but they tackled it with gusto. They worked collaboratively and discussed and debated names and designs for the online space as well as offering concepts and suggestions for what they, the participants would want to see included on the space. It helped to show me that if you are thinking for kids, ask the kids! After all it is them who will be using it.

ideas for the nme and concept for a global art classroom

ideas for the nme and concept for a global art classroom

I wish I had incorporated Twitter more into the process with my students. It is difficult as it is to keep up with Twitter but I wondered if I could have created a class hashtag to share and communicate more to a wider audience. I will ask students how this might work but to quote a HS student:

“students don’t use Twitter, we use Facebook”

How can we change this practice, show them the benefit, the swiftness and versatility of Twitter? and what about the under 13’s? How can we offer them a social space that is both easy and safe to use?

Photo Credit: Mike Gabelmann via Compfight cc

Photo Credit: Mike Gabelmann via Compfight cc

I wish I had thrown down the gauntlet to my students much earlier in the process, asking them what they need, want or would like in order to connect, learn and collaborate. It is always an eye opener to see and hear their opinions. Often, as teachers, we think we have a good idea of what is needed, but involving the students more in the process changes thinking and helps us step into their shoes a little more easier.

Discussion about Learning

Discussion about Learning

SHARING

Right from the start I have shared my learning on COETAIL with my senior team who have supported my journey. The IT department have been a source of help and advice and particular thanks must go to Andrew, Pete, Noah and Ben. Without them I am sure my questions and deliberations would have gone unanswered and my path would have been less clear. Paul Brogden, Vice Principal Curriculum has been following my progress online and was keen to see how the journey evolved. Perhaps now staff can see the value in connecting our students beyond our classrooms and how imperative it has been in teaching digital safety and responsibility.

Just last Friday the Tech mentors at UWCSEA met for a sharing session and I talked about how powerful an experience this had been and how much learning had taken place.

sharing COETAIL blog

sharing COETAIL blog

I would like to offer a session about connecting, to help more teachers to see the value of social networks both for them and students and how blogging can start this process. I offered this a number of years ago and the Languages department have taken it on board. The problem with our school as it is with many schools is TIME! How do you add to the already bursting curriculum without taking anything away? It has been tough juggling so many variables and ideas through the COETAIL journey but it has been worth it to see the growth in both me and my students. With our online platform Teamie coming onboard with all MS classes in August, this could help us encourage discussion, to connect more and may, in time help pave the way for more online connections.

Teamie - online learning platform

Teamie – online learning platform

As the idea continues to evolve I would like to push my learning so I can help my students find the best route through this jungle of ideas. I talked before with Noah about learning some html and with Peter about HYPE but now I am interested in web design and I have found a free online course through ALISON that might meet that wish. I have already bought my domain name, nickihambleton, hosted through Hover, but I am yet to set it up. Perhaps this will kick start that process.

Screen Shot 2015-05-10 at 18.11.25

For years I have looked from afar at the work of The Harvard team’s Visible Thinking and Project Zero. I have read the book, studied the website and resources online and yearned to visit Harvard or at least take the online course. I missed out on a 3 day course with Ron Ritchhart in Asia this month and so I was excited when Matt shared the new MTV online courses. They contain a new concept – learning in teams. I am in the process of discussing this with my curriculum leader to build a team at UWCSEA to pilot this work and then take it into a PLC. Keep your fingers crossed I can participate so that I can work with not only my school but with other educators on what surely is an invaluable curriculum-wide skill.

GREATEST LEARNING

The greatest learning for me in the whole process was:

that the students can have ownership and change your thinking

that is doesn’t matter that you don’t yet know where this is going or what the outcome may be

Talking to Emily Maclean from Chatsworth International School at a recent TeachMeet, I will try in the future to hand the project over to the students much earlier on for them to devise teams of workers to problem solve. Asking the right questions is a crucial part. It is enlightening to see how Emily can get a class of grade 5 students to devise and share an online course single handedly! She too did not know what the outcome would be or how it might evolve. Taking risks as a teacher? We should do this more often! You can read more about Emily’s work at emilymaclean.com

shared with kind permission from Emily Maclean

shared with kind permission from Emily Maclean

REDEFINITION

Could we have done this without technology? As Nick states, the main benefit of connecting online was the immediacy of receiving feedback and the ease of the connections. It opened his mind to more possibilities and helped to change his thinking. Another student laughed as she explained that we could have sent the artwork by post, waited to receive a letter or some art in return! The project might have taken a year to happen!

Nick explaining how we could not have done this without technology

Nick explaining how we could not have done this without technology

So what does redefinition look like?

Back in Course 4 I drew a seed germinating growing to a plant to represent the process of SAMR, but looking back it should be seen as a circular design much like my application video to Apple Alumni earlier this year:

As students reach redefinition it allows thinking to restart and evolve again. Following the introduction of the blogs, commenting online and forming connections has become second nature, a natural progression to gathering feedback in class and from their peers. So what next, to redefine redefinition?

Reflecting on the process made me question what difference I made to my students’ learning, but also how it redefined learning in the context of the SAMR model. Nick Coulter (TPACK and SAMR) recently shared this infographic by Jackie Gerstein:

SAMR as a framework for Education 3.0

SAMR as a framework for Education 3.0

Looking at the lower area of the graphic, my students redefined their learning about art, by connecting online and began to develop a PLN as a result. They are sharing their knowledge and ideas online and learning from others they have connected with in return. Grade 7 are uploading their demonstrations to their blogs as I speak, in order to share their skills with others and are hoping to see some in return so they too can extend their learning. They range from Photoshop tutorials to how to draw and eye, pulling together their own learning from class and their personal interests outside of school.

Grade 7 uploaded demonstration videos on Google Drive

Grade 7 uploaded demonstration videos on Google Drive

It is exciting to see how much the original idea is growing and how the students are helping to reshape it. We are still a distance from what I envisioned with the connected classroom but we are working our way towards it. With one lesson a week of art, I am not rushing it. Good things take time to develop and this is just the beginning.

WHAT NEXT?

Back in February, Edutopia article by Elizabeth Bostwick, talked about student voice and it was here that I realised the true future of helping my art students to find theirs in a predominantly visual context. She talks about growth mindset through community building and collaboration and about giving opportunities for our students to open up, to connect and communicate in other ways than speaking out in class allowing greater opportunity for the introverts to find their voice.

“the greatest voice in the classroom is the student’s” 

Elizabeth Bostwick (Empowering student voice through classroom culture, February 2015)

Also on Edutopia another article, “Help Students use social media to empower, not just to connect” resonated with me:

Screen Shot 2015-05-10 at 18.32.42

Even though this article is over 4 years old, the sentiment still rings true. We should be helping our students to use social media not just to connect with one another but to empower them to take an active role, to participate, and to add value. Andrew Marcinek talks about student’s criteria for a PLN and to become an active member for the hashtag or group they follow.

In time I hope to work out how to get the collaborative online platform for connecting Middle School art students up and running. I am testing the water and the technical aspect of the Drawing board/Artery/The Blank Canvas/ Global Palette (or whatever it will be called) in the final weeks of term and reaching out to Twitter in the hope there are some equally keen art teachers out there ready to step in and join me. Once I have some interest the next thing will be voting on a name!

As always, watch this space………….

COETAIL: The swiss army knife of learning drawn on iPad with Adobe ideas by Nicki Hambleton

COETAIL: The swiss army knife of learning drawn on iPad with Adobe ideas by Nicki Hambleton

“never stop learning because life never stops teaching”

by Robert Tew on livelifehappy.com